在春分『equinox』中，我設計了一個版面生成器，讓看似隨機的構圖，其實被邊界所綁定，出血值是其中特別的設計，透過內縮以及快擴，版面會自己找到呼吸之道。
然而在后植物學『Post-botany』(暫定)，我依然在找尋構圖的方法，植物有其往上長的特殊性，所以到底該如何順應其特性，找到對應之道，是我在完成風格後，下一個挑戰。
In Equinox, I designed a layout generator where seemingly random compositions are actually bound by invisible borders. One special element in this design is the bleed area—through contraction and expansion, the layout finds its own way to breathe.
However, in Post-botany (tentative title), I am still searching for a compositional method. Plants naturally grow upward, and understanding how to align with this characteristic while maintaining aesthetic balance is my next challenge after solidifying the visual style.